How to choose names for your characters
Practical tips from authors about how to create names for your fictional characters.
Revision checklist: Chekhov’s bunnies
What is Chekhov’s gun principle and why do you need to add it to your revision checklist?
Does your story need a reversal?
Plot reversals can add drama and energy to a plot that is dragging.
5 tips to help you conquer your fears about sending your manuscript to an editor
It can be scary to send your work to an editor, even when you know you need feedback to improve. Here are 5 tips that will help you fight the fear.
How SOPs can make publishing (and writing!) easier
Learn how documenting your standard operating procedures can make it easier to format, publish, and maybe even write your book.
Using point of view to create drama: Persuasion chapter 24
Learn how Austen uses point of view to create drama and suspense in a scene without much external action.
Foreseeing many evils: Persuasion chapter 22
In which we see why Anne is the most Virgo of all of Austen's characters.
Clearing the air: Persuasion chapter 21
Austen lets Mrs. Smith say the quiet parts out loud.
Talking head avoidance device: Persuasion chapter 20
Austen shows us what a difference the perfect setting can make.
Turning point: Persuasion chapter 19
The river of the plot is about to carry us to the end.
A road-worthy marriage: Persuasion chapter 18
Austen's novels ostensibly end with a happy marriage, but does she ever depict one?
Poor, dangerous widows: Persuasion chapter 17
A new character comes on the scene to set up our final plot twist.
Simmering suspense: Persuasion chapter 16
Austen turns up the suspense on two long-simmering subplots.
POV ventriloquism: Persuasion chapter 14
A close reading of how Austen uses the slipperiness of omniscient narration to her advantage.
Snapping the thread: Persuasion chapter 13
Austen stitches the broken thread of her plot back into the narrative.
Plot twist time: Persuasion chapter 12
Austen twists the plot and shows her characters their true selves.
Excavating race in Austen: Persuasion chapter 11
Just because race is occluded in Persuasion, that doesn't mean it isn't present.

