What makes a historical novel historical?
Learn how Maggie O'Farrell gets maximum value from historical details in her novel The Marriage Portrait.
How do you use focalization in omniscient narration?
Learn how to use focalization to show the thoughts and feelings of multiple characters in a single scene with examples from Maggie O'Farrell's The Marriage Portrait.
What can verbs do for you?
See how Maggie O'Farrell uses inventive writing to lure readers into a story whose ending we think we already know.
How do you read a novel?
Use my method to read and analyze novels in your genre to learn the writing craft secrets used by your favorite authors.
How can a single point-of-view novel include multiple voices?
See how Casey McQuiston uses fictionalized primary materials to bring additional voices into I Kissed Shara Wheeler.
What can dialogue do?
Learn the techniques Casey McQuiston uses to maximize the impact of dialogue in I Kissed Shara Wheeler.
How do you hook a reader?
How do you engage and disrupt genre tropes to hook your readers?
How do you make omniscient narration fresh and modern?
Is there a place for omniscient narration, associated closely with nineteenth-century novels, in a twenty-first-century literary landscape dominated by limited narration?
How do you establish setting in historical fiction?
Learn the techniques Lauren Groff uses to introduce readers to a distant historical setting in Matrix.
Foreseeing many evils: Persuasion chapter 22
In which we see why Anne is the most Virgo of all of Austen's characters.
Clearing the air: Persuasion chapter 21
Austen lets Mrs. Smith say the quiet parts out loud.
Talking head avoidance device: Persuasion chapter 20
Austen shows us what a difference the perfect setting can make.
Turning point: Persuasion chapter 19
The river of the plot is about to carry us to the end.
A road-worthy marriage: Persuasion chapter 18
Austen's novels ostensibly end with a happy marriage, but does she ever depict one?
Poor, dangerous widows: Persuasion chapter 17
A new character comes on the scene to set up our final plot twist.
Simmering suspense: Persuasion chapter 16
Austen turns up the suspense on two long-simmering subplots.
POV ventriloquism: Persuasion chapter 14
A close reading of how Austen uses the slipperiness of omniscient narration to her advantage.
Snapping the thread: Persuasion chapter 13
Austen stitches the broken thread of her plot back into the narrative.
Plot twist time: Persuasion chapter 12
Austen twists the plot and shows her characters their true selves.

